Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner returns in Ridley Scott's definitive Final Cut, including extended scenes and never-before-seen special effects, now seen in sepcatacular hi-definition! In a signature role as 21st- century detective Rick Deckard, Harrison Ford brings his masculine-yet- vulnerable presence to this stylish noir thriller. In a future of high- tech possibility soured by urban and social decay, Deckard hunts for fugitive, muderous replicants - and is drawn to a mystery woman whose secrets may undermine his soul. This spectacular 5-Disc Set features all of the content of the standard definition Ultimate Collector's Edition. All five version of the legendary Sci-Fi film from Director Ridley Scott with all new 5.1 audio - the definitive Final Cut, three additional versions of the film, and the rare Work Print version - in addition to the in-depth feature length documentary "Dangerous Days", and one complete disc of bonus content including over 80-minutes of never- before-seen deleted scenes.

Three film students set out into the black hills forest to make a documentary on the legendary Blair Witch. Armed with a 16mm camera, a Hi8 video camera, and a Dat Recorder, every step, word and sound is captured. After wandering around black hills forest, Heather, Josh, and Mike are cold, lost and hunted.

The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles, just the pretext. Once Mel Brooks' lunatic film - many call it his best - gets started, logic is lost in a blizzard of gags, jokes, quips, puns, howlers, growlers and outrageous assaults upon good taste or any taste at all. Cleavon Little as the new lawman, Gene Wilder as the wacko Waco Kid, Brooks himself as a dim-witted politico and Madeline Kahn in her Marlene Dietrich send-up that earned an Academy Award nomination all give this sagebrush saga their lunatic best. And when Blazing Saddles can't contain itself at the finale, it just proves the Old West will never be the same!

Academy AwardTM winner Anders Thomas Jensen, whose style has been described as a cross between Tarantino and The Coen brothers, has pulled a stunner with Flickering Lights, both shocking and funny, violent and gentle. Its a brand new kind of gangster comedy about four childhood buddies whose screwed-up crimes turn out to have redeeming value. Torkild, a bumbling petty criminal, and his accomplices, dispatched by a mob boss to rob a diplomat, decide to flee with the loot and head for Barcelona. After their van breaks down in the Danish countryside, they find refuge in an abandoned building. Their leader, deciding that hes tired of the criminal life, buys it in hopes of opening a restaurant. Even though his little gang of faithful buddies (who have never really grown up) has a depressing tendency to fail at all jobs, they unite in the effort and magically, incredibly, are able to turn their lives around.

An ex-mercenary turned smuggler (Leonardo DiCaprio). A Mende fisherman (Djimon Hounsou). Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed across the alternately beautiful and ravaged countryside. Directed by Edward Zwick (Glory, The Last Samurai), this urgent, intensely moving adventure shapes gripping human stories and heart-pounding action into a modern epic of profound impact.

An epic, eight-part series that took five years to complete, The Blue Planet firmly re-establishes the BBC as the world's pre-eminent producer of top quality nature documentaries. Exploring every aspect of marine ecosystems, from coastal marshes to deep-sea trenches and from polar waters to tropical reefs, The Blue Planet is thorough and informative, yet never less than thrilling.

Sir David Attenborough is one of the most well-respected (and well-known) personalities in the field of nature programmes and his narration is flawless as he educates and inspires without patronising his audience or anthropomorphising his subjects. Spectacular camera work (of a standard not seen since the BBC's classic Life on Earth series) captures images of a fascinating world rarely seen by human eyes—in fact, in several instances, the subjects and behaviours filmed for this series have never been witnessed before, let alone caught on camera. This is particularly apparent on the series highlight, "The Deep" (Programme 2), where film crews discovered two new species in the depths of the ocean: a grotesque fish named the Hairy Angler and a fantastic, pink octopus-like creature, which is so new that it remains unnamed (but was nicknamed "Dumbo"). Both are testament to the fact that, although oceans cover two-thirds of the Earth, we know less about them than we do the moon. It is proof that, to us land-dwellers, much of our Blue Planet is alien indeed. A handsomely illustrated companion book is also available. — Robert Burrow

An engaging dark thriller about a young man after discovering a human ear in a field begins an investigation into a subculture of killers addicts and sexual deviants. Studio: Tcfhe/mgm Release Date: 09/20/2005 Starring: Kyle Maclachlan Dennis Hopper Run time: 120 minutes Rating: R

THE BLUES BROTHERS REGROUP THEIR BAND, HOPING TO RAISE MONEY TO SAVE AN ORPHANAGE, AND IN THE PROCESS, THEY RUN AMOK IN CHICAGO. CONTAINS: THE STORIES BEHIND THE MAKING OF THE BLUES BROTHERS DOCUMENTARY FEATURING INTERVIEWS WITH DIRECTOR JOHN LANDIS, DAN AYKROUD, THE BLUES BROTHERS BAND AND PRODUCER ROBERT K. WEISS.

Warren Beatty and Faye Dunaway are the legendary Depression-era bandits and lovers in this landmark film that won two Academy Awards and triggered a revolution in screen violence. Year: 1967.

High Def Exclusive: 34-page hardcover book that includes a detailed production history, star/director filmographies and rare archival behind the scenes photos.

It takes a certain kind of comic genius to create a character who is, to quote the classic Sondheim lyric, appealing and appalling. But be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show, leaves his humble village to come to "U.S. of A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in a series of increasingly cringe-worthy scenes. Borat, with his '70s mustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves.

Early on, an unwitting humour coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would not be funny in America." NOT! Borat is subversively, bracingly funny. When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronisingly offers), or turns cheers to boos at a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Success, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana’s Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kennedy Xperiment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and racism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! —Donald Liebenson

Rik Mayall and Adrian Edmondson give the flat-share sitcom a much needed kick up the Bottom in the show which, alongside Men Behaving Badly (1992-8) injected new life into a legendarily dire genre. With glorious comic gusto they play Richie Rich and Eddie Hitler, a pair of misfits barely surviving unemployment in a Hammersmith hovel. They spend their life in frustration, minus female company or money, in facile schemes to entertain or better themselves, their best intentions always proving the catalyst for hilariously OTT cartoon-style violence. The humour benefits from being rude, crude and surreal, and though happily bereft of subtlety or sense the situations and set-pieces are always superbly constructed, delivered and directed. But that's only to be expected from a show that essentially presents two of The Young Ones a decade down the line.

Mayall and Edmondson had earlier perfected their surreal double act as The Dangerous Brothers and these first episodes of Bottom find them in side-splitting form. From a misadventure with pheromone spray and the wrong sort of dogs down the pub in "Smells" to a birthday "Accident", which introduces The Young Ones' Christopher Ryan as a regular guest character, this is BBC comedy at its best. Brace yourself, 'cos this is going to hurt.

On the DVD Bottom, Series 1 contains all six episodes presented in the original TV 4:3 ratio with mono sound. The transfer is flawless, if anything rather revealing the limitations of the source material. The only extra beyond optional English subtitles and a Danish dub is "Bottom Fluff" a 15-minute blooper reel that offers a masterclass in the art of swearing. —Gary S Dalkin

Racing to unlock the secret of his own identity, amnesiac operative Jason Bourne discovers the deadly truth: he’s the government’s number one target, a $30 million weapon it no longer trusts. Academy Award® winner Matt Damon stars in this super-charged, thrill-a-minute spectacular loaded with “non-stop action!” (Bill Zwecker, FOX-TV)

They should have left him alone. Academy Award® winner Matt Damon is back as expert assassin Jason Bourne in this stunning, non-stop action hit. Fuelled by awesome fight scenes and some of the most breathtaking chase sequences ever filmed, it’s a state-of-the-art espionage thriller that explodes into action and never lets up!

Highly trained assassin Jason Bourne is on the hunt for the agents who stole his memory and true identity. With a new generation of skilled CIA operatives tracking his every move, Bourne is in a non-stop race around the globe as he finally learns the truth behind his mysterious past. Loaded with incredible fight and chase sequences, it’s the exhilarating movie with “mind-blowing action” (Roger Ebert, Chicago Sun-Times) that you can’t afford to miss!